This is another experiment in drawing and painting. I still like to use white gesso for all of the white work. I like the dull appearance , the fact that it can be watered down making light applications a nice way to build up the highlights and mostly, I like the way it feels when I rub the oil pastel into the paper
Working on a pink background helped me make color choices that were very soft and feminine. In fact, every experiment I've tried so far has been based on the colors of the base of the paper. At this stage of learning, I do not like to fool with the background at all. Once I get some color, collage, and stamping done, I look for a way to put a face on the flat plain. This is going to be a page in my gut art journal. It is a piece of 90 lb. drawing paper, folded in half and punched with holes ready to insert into the covers I've made. The other thing I am having fun with is the water-soluble graphite. Oh, how it darkens when water is added. And the line softens so beautifully. One cool thing to do is to go over the lines with glaze media. When it dries, which is almost right away, the lines don't change and I can paint over or around them without them disappearing forever. An important thing to a newbie sketcher.
Working on this background will direct all my color choices, so I will end up with a "series".
I'm still totally enchanted with coloring eyes. I want dreamy eyes.
Remember these words of Maya Angelou: "Not everything you do is going to be a masterpiece, but you get art there and you try and sometimes it really happens. The other times you're just stretching your soul."