SuziBlu - portrait #1and #2

It was late. I was tired. My brain was scrambled from a day in front of my computer doing billing and insurance work.

There was no way I could contemplate making art.

So, what's the best way to spend an evening if the TV is just too, too silly to stare at?

Why, find some "how to make art" videos and plant your tired eyes in front of your PC.
I am taking (silly me) another course in drawing portraits, and this one is from my favorite, fabulous, forty year old fighter-for-all-who-hanker-to-create-art; Miss SuziBlu.

I'm sure you know her, she is all over the web and is truly one of a kind. An enthusiastic cheerleader who unstintingly shares her art making experience and love of all things pigment related. Oh, can she make you laugh out loud! At home. By yourself. At your computer.

I found her on You Tube last year and have been addicted ever since. She is so gracious that when you take one of her courses, she lets you download the videos, and there are a lot of them, so you can watch them anytime, anywhere. No wireless needed. No time limits. No trouble at all.

So, here I was, as I said, tired, red eyed, stiff necked and sore bottomed staring at Miss SuziBlu tell me to pick up a pencil and just draw. I had a dull #2 with no eraser left on the bitten end and my wide ruled tablet of note paper.

And, much to my surprise, instead of taking notes like I always do, I put down my ball point and picked up that ratty pencil and did a drawing while Suzi demonstrated how to make a charming, young, beautiful artful face on the video.

Before I knew it, the video was over and I had a drawing laid on top of those blue lines. How wonderful is that?

Now Suzi is in the second week of The Goddess & The Poet class and has started in on colored pencil.

I watched video #2A and got out the Moleskine purple label she recommended for the class and did another portrait today.

This is another face based on a model advertising eye shadow. It's a shame they all wear false eyelashes. It's hard to see the real shape of the eye, but oh, they are such pretty girls. I forgive Maybelline and Cover Girl and all the rest. It's wonderful to have such a plethora of pretty faces to learn on.

On of these days I am going to graduate to color. I have been stuck in graphite on the Pursue Portrait course because (a) my faces are too realistic in an awful way and (b) the last time I tried color, I got an awful mess to show for it.

This art making stuff takes years and years and I've been told it takes 10,000 hours to get good at anything.

That part's OK, but do I have 10,000 hours of play time left to work it out?

Pursue Portrait # 7 and #8

The Pursue Portrait on-line class with Pam Carriker is a really nice class for me. It is really a challenge to draw a face and put some of your own into it.

I have been looking around at old photos and am not finding many with me in them at all. That's because I am always the one behind the camera.

Even when I was young, my sister, Gloria, always said, "Your turn! Get in the picture!"

Guess I didn't listen to her very often.

I took this photo with my digital camera last week and was trying to find a nice head tilt image. I'm happier with the lips and eyes and even the nose has the somewhat square shape I see in the mirror.




I got tired of looking at my face, so I ripped apart a few magazines. Photographs of women in purple eye shadow are really fun to draw!


One of these days I will get up the courage to add some color to the sketches I am making.

Now who wouldn't love to have a face like this to draw everyday?

Portrait Class continues

The work continues. Looking at one's own face is such a challenge. It's difficult to be involved without being critical. This was done from a photo taken when I had my adult Bat Mitzvah in 1985. Of course, while I worked on the drawing, I was filled with conflicting memories of that day. Glad I had completed another goal, happy to be with family, but concerned about where I would be going goal-wise from here.

I shouldn't have worried. God always makes sure you have lots to learn.

A Portrait Class

(Diffuse Glow)

I am taking a portrait drawing and painting class with Pam Carriker at http://www.creativeworkshops.ning.com/ and after practicing on a "generic face" that Pam created for us, I moved onto the next lesson where she encourages you to draw your own face. sigh.
This is not so much fun.
I do not have a 30 year old face. Or even a 40 year old face. 50 is just a memory and now I'm in the middle of my 60th decade and let me tell you, the invention of digital camera is fun for computer use, but not so much fun when you need a blurry version of yourself.

I remember, fondly, my first Kodak Instamatic. Point, shoot, instant flash if needed and then you send the roll away and you get 24 or 36 softly blurred images as memory keepers. Those were the good old days and I didn't even need it then. I was young. My face was unlined and thin and my skin glowed with youth!

Now, however, I have an amazing digital camera that is brilliant at capturing tons of photos one after the other and not one costs me a penny. I can shoot hundreds and still not fill up my 2 Gigabite SD card. If I want a copy of any photo, I print it out at home or have them uploaded at Snapfish and get prints for .09 cents each - a special deal...

But try, just TRY to get a soft focus shot of an old face. Grrrrr. I finally resorted to using the "diffuse glow" option on my photo editing software and after playing with it for 90 minutes, I got about 12 photos that I wasn't afraid to look at. Sheesh.
This first photo is diffused and glowing, but softly. I had to jiggle it so my face wouldn't disappear altogether.

(Digital image)

After lunch I got out my Polaroid camera and took about 10 photos of my face an arms length away. I was on the porch and it was a sunny day, so the photos were not flashed, but boy oh boy were they blurry! My arms are just not long enough for the 3 foot focus of that camera.
Having lunch settled me.
I decided to try to do a portrait, so I printed out a few of the photos that I had fooled around with and sat down with my pencil and paper.
Guess what. There was just not enough detail to get a fix on my chin.
So, I went back to my computer and took another look at all the photos I had taken earlier in the day. I had shots coming from all kinds of angles. Up close, 3/4, full front, left side, right side, smiling, teeth, no teeth, frowns, surprise!, dreamy and whatever mood I could think of to describe what was happening on my face.
How and when did my nose get so Big!?
What I realized right then was, I had some really good photos of a face. Just a face. OK, so for now it is my face, but so what? It's something to draw and someone I know. I was suddenly glad for all those pictures. I was happy with them. I felt good inside. And, I don't know why. Something inside me had changed from before lunch to after lunch. I was OKAY with these pictures and I was going to use them as is.
I printed out a bunch, thank goodness I had figured out how to set my digital camera to black and white setting, and I sat down again at my drawing pad.

(First Self Portrait)

This is what happened.
It's a near likeness. Maybe only I can see it, but it is my first self portrait. I am going to trust that it is OK. I am going to be happy with it just as it is and I am finding out that "diffuse glow" comes from within.
Who knew?

Backgrounds

I've been taking an on-line class, Layer Love, with Julie Prichard, who can be found at: http://thelandoflostluggage.ning.com/.
She teaches how to make interesting backgrounds for art work, journaling and so on.
This is project number three. The base coat was yellow, next was lots of transparent washes with anything leaning toward brown. There are a few pieces of collaged elements added when the colors were just getting more aged. The final layer is made by making the paint drip down the page.
This was fun to do. It reminded me of all the color washing I did on the walls of my office at home.

This is what my walls look like. Two walls are painted in layers of blue and dioxizine purple. I started with a sky blue base coat, then with a sponge and the mixture of dark blue and purple with lots of glaze, I did lots of spongy circles all over the two walls. Three layers! For the fourth, I sponged paint here and there and sprayed water for drips.

It is dark, beautiful and restful. The other two walls are white. One wall has a bifold door closet. The other is a wall of dark wood book cases.
Funny how I never thought of it as artwork, but it is!

First Finished Mixed Media Project.

This is from the class I took with Willowing. She has a wonderful workshop that shows lots of ways to paint, make backgrounds and also talks a lot about facing fears of making art. She showed how to create this image through her videos and though this painting isn't an original, she is the first I ever completed from start to finish.
Art is taught by copying. This is a copy and it was fun.

A colored pencil face -

Taking a course with SuziBlu, Petite Dolls, got me to playing with colored pencils. This is the first face I colored.

Amazing how scary it is to actually color in a drawing. I had tried watercolor pencils - what a disaster! Everything has to be wet at the same time in order to have smooth transitions of color. NOT an easy thing for a novice. And, using student grade watercolor paint doesn't work well either. There really is too much filler for the color to lay down smoothly. Professional grade is a must!

I wouldn't even try acrylic at this point. The paints dry so fast, you are often chasing color after color and soon end up in a mud hole. I know using an extender is supposed to help, but I haven't yet found the correct proportions for mixing it with the paint. Another task to master.

Colored pencil, however, is a great tool for a beginner. It goes on in layers that just sit where you put them. Once a color or two is laid in, you gently burnish it to blend and soften the waxy application. If you are careful and go gently without crushing the paper, you can get a nice natural shading going. I was pleased and surprised with my first attempt. If not for this first face, I might still be cringing at the thought of applying color to anything I draw.

Art trials-

I am changing my idea about myself.

For the past several months, I have been monitoring/taking mixed media classes online. Being very timid about drawing and totally afraid of what I might create, I have not been fanatically creating stuff. The fear has been getting in the way. A lot.

Slowly, however, with pencil and watersoluble oil pastels in hand, I have been splashing paint on watercolor paper. Most of the time I want to rip the page out and never see it again. Lately, though, I have just been accepting my first efforts as, just that. First efforts. Not really important in the scheme of my daily life. No one sees them. No one can make hurtful, wise-ass comments. No one can ask, "Why bother? What are you doing this for?" Enough of that goes around and around in my own head to keep me cringing at the sight of all my new art supplies. Little is made, but that's where I am, for now.

I haven't even turned on my sewing machine since March! Unheard of in this house! What? No new skirts? No new tees? No multicolored nine patch quilts? Nothing at all for my two granddaughters? sigh.

I have found this about myself. I am solo-focused. Is that even a word? I cannot switch from sewing to drawing easily. For now, if I want to learn how to draw and color, I have to just draw and color. It's bad enough trying to turn off my work brain to switch to play brain without also trying to do sew brain.

Now I know why people say childhood is a fun time. All you are expected to do as a child is learn stuff. Words, numbers, manners, concepts, ideas, new foods, walk, run, rollerskate, ride a bike. No body cares if you misspell, add it up incorrectly, or burp out loud - at first. Imperfect behavior is the natural domain of a child and if you are lucky, the adults around you gradually and patiently show you how to do all of it better. If you do fall off your bike, most likely your mom or dad or auntie will bandage you up and put you right back on the seat of that bike to see that you keep going. How nice is that!

All of that is harder as an adult. Things have become hardwired. Beliefs about limitations have settled in. New activities with body or brain come slower. I have forgotten how to be patient with myself. Now, when I was a kid, my parents often fast forwarded me to act more grown up. I was the firstborn of four and did everything first, fast and perfect. This is not easy to change, but I am trying. I don't want to get older and not have explored my abilities for fear of failure. When I am 90 (G-d willing) I want to be busy. I want to indulge my curiousity without all of this fear hounding me. And, I don't want to apologise for being born anymore.

Lomography - Holga 135

I saw a small paragraph in the Sun Sentinel newspaper last December about the new popularity of plastic cameras. After seeing some of the photos taken by these low tech devices, I HAD to have one! I am SO TIRED OF PERFECT DIGITAL PIX! These photos were taken with a Holga 135. It's a plastic camera with a plastic lens and no flash. This style is cool because you can use ordinary 35 mm film and have it developed at any local store AND you can have your pix put on a CD.
This shot was taken early one sunny morning with a 400 speed film and I just love the dreamy quality of this view. Beautiful, soft, south Florida sky with green, green trees. The sun hitting the plastic lens makes the light scatter all over the place and I would have a hard time creating that effect in any of my photo altering programs.

This is a view of our pool and plastic chairs. Look how lush and dense the folliage presents itself as it pushes through several of the now absent screens of the pool enclosure. Surprisingly, most people in our neighborhood have fixed the hurricane damage that was left in October of 2005, but we kind of like to see Mother Nature pushing her way into previously forbidden spaces.

(And besides, I can swim quite naked without fear of nosy neighbors wondering what all the splashing is all about.)

This is a shot of the gable above the master bath. Look at the incredibly intense color of the sky! This camera is amazing! I just love the soft edges that blur parts of the photo. That vine attracts Zebra wing butterflies and I can't begin to tell you the joy I feel as I see them reeling about those big juicy leaves looking for the flowers to drink sweet nectar and lay dozens of eggs for future generations of little transformers.

I got this photo just while taking my morning walk down our sweetly shaded street. Look at the misty effect created, once again, by the plastic lens.

Plastic. Irregular. Imperfect.

Creating softness, reflecting the mystery that is everpresent in each newly created moment of this most beautiful day.

Skirts

It's been awhile since I've done any sewing, but I caught a cold a few weeks ago and when I don't feel good, the only thing that makes me happy is to sit at my sewing machine and run fabric under the needle.
These two skirts are the first is what has turned into a series of toddler skirts for my two granddaughters.
Happily, they fit! Since they live a 5 hour plane ride away, I have to hope they're gonna be OK.
It's truly fun to sew a size 3T and 5T because a project gets done likity-split!

Been Gone Too Long...

It has been a long, difficult and painful summer and I am glad it's over! In January my right knee minuscus spontaneously tore one day while I stooped down to the lower part of a filing cabinet and I could hardly walk at all.
I figured the body would heal itself, so I waited and hobbled around, living with pain all the time. The worst part of it was not being able to go for my morning walks! My body got depressed. I got depressed. I was teary a lot of the time. I am addicted to my own endorphans!

Well, by May I had had enough and went to see an orthopedic MD. He gave me a cortisone shot and said if that didn't clear up the pain, surgery was the next step.
The shot did not help. At all.

Grrrr.




I waited some more. I worked and limped through the office. And getting up from a chair was not fun at all. Think about how many times a day you get up and down from a chair or the commode. Not Fun!

Since I was stuck in a non-moving-much mode, I started to make these multitiered skirts. And, in doing so I learned how to use my gathering foot. What a neat tool for my sewing machine. I've had it for years but never used it because I figured you could never know exactly how much fabric to cut for a project ( and I honestly didn't think the little foot could posible work, it's so simple looking)

WRONG. It works great!


So I began by cutting lots and lots of 6 in wide strips, sewing them together and letting the foot have at it.



It turned out to be great fun! It was easy sewing and it didn't take me long to cut out the strips, which was the other reason why I got into making these skirts. I just could not stand and bend over my table to cut out anything complicated when I was in so much pain.

The knee crisis came crashing down on me one day in the office when all of a sudden, I just could not walk without support. We got crutches out of storage and I had the surgery two days later.

The surgery wasn't bad at all, but the healing time after it has been HORRIBLE. And, long and drawn out and seemingly neverending.

However, two weeks ago, I realized that I no longer had pain when walking or getting up from a chair. Halleluya! I actually began to feel good everyday. It's been ten long months of limitation and I am so glad it's over. No more tears for me!

And, by the way, I have made a total of 27, YES, COUNT THEM, 27 multitied skirts. Comfy to wear and now my new uniform.

Altered Tee Shirt

Okay, so everybody and their grandmother (me) are now doing Tee Shirt surgery to any piece of knitted tee, old or new, that they can find.

This was my first. A very nice garment dyed blue tee that started life at $4.99 and a size Men's 2XL.

I know, I know. THAT'S SO BIG! However, I like that size because I can wash it, shrink it and then cut it out to fit me using a pattern that is the size I want for the project.

I've talked to a lot of women about their tee shirts and many have the complaint that I have; too big on top, too tight at the hip. grrrrr.

Well, if you have a pattern that you like, you can just lay it out on this big sucker and cut. You then end up with a tee that is more fitted across the top and sleeves, make the side curve in and out and have a perfect fit at the hips.

This is the front. I wanted to use it as an off the shoulder cover up and it is, indeed, off the shoulder. But just right for me. And, cool to wear here in hot, humid south Florida.


This is the back.

I used a commercial stamp and plain old craft paint to stamp the leaves and just love the way they tumble down the front and back, too.

Adding the word, "leaf" adds to the interest, the design balance, and as my hubby says, makes it unmistakably "leafy".

I didn't want the sleeves to hang down to my elbows, even though I cut them to a rather short length, so I added cut strips of fabric to the inside and outside of the sleeve to tie them up and keep them up.

The bottom is just raw edged and it rolls nicely.


A close up of the neckline shows that it, too, is raw edged with some embroidery to stabilize the edge and give it some additional interest.

Doing the embroidery by hand was a lot of fun. I hadn't been doing much hand work lately and getting back into my collection of embroidery floss, needles and thimbles reminded me again of how much I used to embroider my creations when I was a teen.

Some activities are fun forever.

Jackson Pollack Wearable Art Skirt-part 3

Remembering that I started out with all my pieces laid out on a big piece of plastic on the driveway, I am getting itchy to do another project soon. Throwing paint is so much fun!









Here, I am changing the Jackson Pollack design to something else. I've added really big butterfly stamping across the front and back of the skirt. By sewing only one seam together, I can arrange the butterfly design going across the back of the skirt and around the front where it flutters in an upward motion.

Additionally, I've placed the top above the skirt front to stamp butterflies there also. Hopefully, when I wear them together, it will look like a natural movement.

At this point, I really didn't like the skirt too much. Those butterflies are really big and really bright. Oh well, as I said to myself before I started all of this, I can just toss it if I really, really hate it.

Every project has an adolescent stage that is awkward. Sometimes it's hard to push through it to see how it is going to turn out. There are days when I still wonder if I am still in that stage myself, but there isn't anything to do but to keep on trying things out.

So, now the skirt has been sewn together, hemmed and the elastic inserted into the waistband.

Since I've made this pattern so many times, I haven't even tried it on yet. I know it fits and I know the hem is perfect.

How good is that? Do you know how much pleasure it is to get so familiar with a pattern, you don't even have to fool with the fitting anymore?

It's great, that's what it is. No worry, no internal fussing, no changing in and out of clothes during the project at all!

If you look closely, you can see that I added the text to the skirt also. In black fabric ink, using a fuzzy typewriter font, I let the words drift across the front to the back: "Change is to give up what we are to become what we could be."


This is the back of the skirt.

Red paint predominates here as opposed to the front where dark blue is slashed sideways. I could have used either side as front or back since there is only one pattern piece for this bias A line skirt. That's another reason why I like using this McCall's 2172 so much.

And, simplicity in a pattern lets you go wild in every choice you make.

Sure, everyone can use a plain white skirt, or a simple black skirt to wear with a great top or an interesting jacket. But, once you get those out of the way, every skirt you make can be full of new design choices and "what ifs".

This skirt was a fun adventure. And, I did wear it. And, two strangers called to me across the street and said, "Great skirt!"

Now, how good is that?

Jackson Pollack Wearable Art Skirt-part 2

Getting ready to change my "blank canvas" of color splashed linen fabric was a bit of a challenge because I didn't know ahead of time what I wanted to do with it.
I could have left it like it was and finished sewing everything up, but decided that since this was an experiment, I should just go further along.
Lately, I've been liking the color red. Wearing it is fun! So I said to myself, "if I were me, what color would I like to play with?" and there it was, red.
I have several bottles of Setacolor fabric paint that are at least 5 years old and mostly full. Again, figuring, "what have I got to lose?", I committed to the red and decided to actually use some of the many commercial stamps I've been collecting over the years. See this butterfly? It's big. Really big. It's over 6 inches across and really makes a statement. Yes, butterflies are reminders of ongoing transformation, change and beauty, but this thing is kind of blocky. Oh well. Letting it sit in a plastic bag in my garage isn't using it, is it?




I was kind of happy with how well the Setacolor by Pebeo covered the stamp and really did show up like, "WoW!" on the spattered fabric. Once I put one down, I had a hard time stopping. The little kid inside kept saying, "more, more!", but I managed to keep it down to about nine impressions across the front and back of the skirt.






Since the paint dried so fast, I hung it up and went to work on the top while the stamp was still damp. Partial butterflies were fun to do, but I wasn't all that sure about the actual design of the front of the top, so I washed out the stamp and took a break to think.

Going away from a project is sometimes the best thing you can do. While having some tea and finishing up some billing for the office, I remembered a phrase about change that really appealed to me. "Change is to give up what we are to become what we could be." I'm sorry I don't know who said or wrote that, but it stuck in my head and arrived for this project. I found a set of really neat typewriter font stamps in my stamp box and stamped the phrase out on pieces of paper. Then, it was just a matter of laying them out to see how it would look. What fun! No committment, just a chance to see how it might look!



The butterfly was the center and the words, both small and large size, fit nicely on the top.

Of course, as I looked at it, I couldn't imagine wearing the thing, but it was pretty!

I used some black fabric paint for the letters and did one word at a time. Easy!

I got so good at it, I put the phrase on the skirt too, though it doesn't show up as well because the drops and splotches have more of a pattern that pulls on your eyes, but that just doesn't matter.



This is the skirt laid out on my work table with one seam sewn and the butterflies scattered all over.

That's the nice thing about sewing something yourself. You can work with the piece nice and flat and place images over seams very easily.

I let everything dry for a few days, then pressed the painted and stamped fabric to set the paint.

The butterflies are really bright, and this is a little more garish than I am used to, but hey, who really cares? I doubt if the fashion police even have a station here in south Florida, so I will wear this thing with red dangly earrings and forget that I am over 62.

Jackson Pollack Wearable Art Skirt-part 1

It was a warm and windy day here in south Florida and it seemed like a perfect day to do something I've imagined for a long time. How would it be to just throw paint at fabric?
So, here you see my initial setup. A bias cut skirt and top, just four beautiful linen pieces laid out so nicely on a tarp, held down with my usual fabric weights.
It was a sun, sun, sunny day and I was ready to go.
However, as I went back into the garage to mix up some thinned fabric paints, I came out to find my pieces flip-flopped all over and getting ready to fly down the drive way! Yikes! March winds are some serious winds, I tell ya!

Since my studio/garage is full to the brim with stuff, I was able to reach back and pull out lots of half empty paint cans to use to weigh down the linen pieces.



The fun part was the flinging of paint. All you need is a willing arm and a drippy brush to slam color down in drips and spots and slashes of color. What a surprise!
And, since it was about 70 degrees and sunny, the fabric paint dried very fast. My biggest worry was just how sneaky the wind could be. The driveway surface is uneven and little teasers of wind kept finding the smallest places to lift up the skirt and flop it over. grrrr!
I had to keep my eye on it all the time as I was mixing water into the next color or else I'd have smudges of drips and spots. Yes, I know, I know, the whole thing is supposed to be free form, but being new to this, I wanted CONTROL.

hA!




Flinging paint on an angle started to make a pattern that I liked, so I just kept slashing blue, blue and more blue. It's amazing how much paint I used. Walking around the tarp with paint brush in hand is so freeing! No wonder Jackson Pollack made so many pieces of art this way. It is mesmerizing to just fling and go.





Sometimes it's hard to know when to stop. I used about five colors and left a lot of the natural linen background.
The other thing I wasn't sure of was how the paint would feel on the fabric. I didn't want thick, stiff spots on whole areas of the skirt or top.

Considering this whole project a complete trial is the only way for me to stay comfortable and continue to change the fabric with paint. My mind set was, "it's only a few yards of fabric ($16.00 on sale) and a little bit of paint, So What iF I Ruin it! Or hate it. I can always just throw it all away....!" I have to fight my Puritan ethic of economy concerning time and money by telling it to SHUT UP for just a little while so I can have some FUN. Believe me, this voice is a nagging one that gets in the way of a lot of what I do, or a lot of times, don't do.

I tend to get hyper when I start a technique that is new to me (because of that VOICE), so after about an hour of flinging and color changes, I stopped to let the sun dry it very well, indeed.
I sat at my table inside the garage/studio and worked on carving a few rubber stamps to wile away the time and let myself be sure that I really had put as much paint on the pieces that I wanted. It wouldn't be fun to set it all up again, so I just sat for about an hour. And, besides, the weather was great! Spring in Florida means lots and lots of birdsong in the early part of the day, and my messy butterfly garden to the right of the driveway brought beautiful Monarchs careening past my head as I worked. Very cool.

Now, I just can't wait to sew the skirt together and add something to this new "blank canvas" of fabric.




Note to self: wear sneakers and socks next time.

Tie Dye - Art to Wear

This is Jade Green. A beautiful blue green color that dyes up so nicely. It has a lot of the turquoise in it, so rinsing it out is a long, long process, but worth the trouble. I tried mixing up some greens this past weekend and it does take awhile to get something that is just right.
That's the thing about this dye stuff. Mixing the colors is the most challenging part of it all. Unless you are willing to measure by grams and cc's, no too dye batches will ever be the same. A good thing when you like variety.






Another item that is fun to make is this
sleep sack, a very, very soft cotton.
Made for my newest grandchild, I hope he enjoys lounging around in it day or night.


And finally, I made this little applique with just a piece of cotton stamped with one of my hand carved heart stamps. What fun to do! And, the doing only takes a few minutes!

Tie Dye - a first!

Yes, it had to happen. At some point in a crafter's life, one has to give in to the impulse to use cold water dyes. I've done silk painting and dye work in the past, but that was different. There, you just pour premixed dye, heat set the fabric in a steamer and rinse. Done!
With fiber reactive dyes, there is chemistry involved!

That chemistry, though not really difficult, had put me off for quite some time. Some of the reason is that in every book or article I've read about how to mix up the chemicals and dye, the proportions for each ingredient were different. If no two authors agreed, how was I to choose what to do???

In doing my research using 6 different tie dye books, or booklets, and a two CD instruction models, not one of the authors agreed on how much dye should be used to make the stock dye solution. Nor did they agree on how much Urea should be added.


I kept reading, taking notes, comparing and so on for quite a while. Eventually, after buying all my supplies at www.dharmatrading.com , I just found a Saturday when I was completely alone with nothing to do and I set about this task.

I only used a few rubber bands on each article of clothing to keep things simple and decided to just do an ombre effect with one color of dye, going dark to light on the fabric.

This little set is a size 6 Toddler, 100% cotton, lettuce edge top and pants. It was easy to lay each piece down and dab the dye on with a sponge brush. I wrapped everything up in big plastic bags and waited, impatiently, for 24 hours before the big rinse in hot, hot water.




As it turned out, I really liked the process and the results! It was a lot of work, but it was also fun!

This tee for our newborn grandson shows a close up of the ragged heart applique that I sewed onto three of the outfits I dyed.

I made these by digitizing the design on my Janome embroidery software and then machine embroidered them out on my Janome 10000 as free standing appliques.

Hand sewing them onto the soft dyed cotton was very satisfying.

I did three colors that day. This is peacock blue. It truly is a beautiful color.

Yellow Linen Butterfly Applique Skirt

This is the time of year when linen can be found in bright colors and I have been going to the Joann's Fabric and Crafts store near the office and getting their beautiful linen/rayon blends with a 40% off coupon! This color is too bright for me to wear near my face, but it's great for a skirt.

This is the front.









As you can see, I filled the skirt up with really big and simple appliques of butterflies. I have lots of butterfly attracting plants in my very messy garden and the milk weed pods have been exploding with seedlings this week. I've collected a few pods and am going to plant them in pots to replant them in different parts of the garden so I have a view of butterfly activities no matter what window I am near. They are so delightful in their dance upon the air.

This is the back.







In order to figure out the placement of these really big appliques, I layed the skirt out on my big table in the garage/studio to see how it would look. It turned out that what I had planned for the back became the front of the skirt. Somehow I just didnt' want that big butterfly that is so high to be winging its' way so near my old bottom.

Fortunately, this bias skirt is a one piece pattern. The front and back are cut out from the same pattern piece, so all I had to do was switch out the label that I sew to the inner waistband to the opposite side.

I embroider the pattern number onto the label so I know what I used later on. Three years from now I may not remember which pattern I used and that can be frustrating if I want to start up a new project using a pattern that still fits.


Although I liked the way it looked, I felt the skirt design was too empty. I took a lunch break and leafed through a couple of my painting on fabric books. One of them reminded me that I could stamp on fabric!

Now, I have never, ever stamped on a finished project. Been to intimidated I guess. What if I screw it up??? OH WELL! What do I have to lose? $10.00 and two days of fooling around? That's not going to change my universe by much, so I went back into the garage.


After looking over my carving supplies and previously made stamps, I decided simpler is better.

I ended up using two left over rectangles of carving block and mixed up some black acrylic paint with fabric medium.

Fantastic! So easy and so satisfying. All I wanted to do was add movement, a suggestion of movement, and in art one doesn't have to be specific.
The minds' eye finishes the idea that is started with just a stroke or a mark.

And, the linen took the paint up well. I liked the unevenness of it and was happy just using two sizes of stamps.

I think this is why I keep on trying stuff out. I never, ever know where a project is going to take me. It seems to develop as I go along. I have tried to plan things out, but that never works. For me, the ideas fill in as the images show up on the fabric. I have to learn to trust myself more and I think that is what I am learning. Take the inspiration, do the work and see what happens.

Animal Applique Jacket

Continuing on with the animal applique motif, I made a jacket, too.

This pattern is also an old favorite, McCall's 3073, which I have used over and over again. In its' original form it is super easy to cut out and sew. The pattern has only five pieces; front, back, sleeve, neck facing and front facing and it sews together really fast!

Have you ever used the permanent pattern material that's available? I really like it! Once you have made a copy of your favorite pattern with all the changes you want, you have a pattern that doesn't rip, wrinkle or tear like the tissue paper found in most clothing pattern envelopes. AND, the best part of all - it doesn't move around on the fabric once you've placed it. No Pins! I use a few large washers to keep it on the straight of grain, but that's all. It's so easy to cut the pattern out, I just zip right through it.



Since the black linen/rayon blend provides such a nice contrast to the colorful applique, I sewed these animals on as if they are tumbling down from G-d's own hand to find a place in this part of the universe. I like the way the colors really stand out.













The back of the jacket shows a styelized(spelling?) Tree of Life giving this art to wear a hint of Genesis 1:1.

One of the things I did to this pattern before I made this jacket was to take it apart so I could sew together blocks of contrasting color.

Of course the front is easy, just cut one of each side from two different colors. For the back, I made two half patterns by adding a 5/8 inch seam to the middle fold line. I did the same thing with the sleeves. I folded them in half and made a half pattern with a 5/8 inche seam along the top edge.

Since this is such a easy fit pattern, I didn't have to worry about how the sleeve would sew into the front and back. It's not at all fitted, so it sews in perfectly if you add the sleeve right after you sew together the front and back at the shoulder.


To add more color and to make the thing look more rustic, I sewed all the seams facing the outside and finished them off with red thread in my serger. This took a little planning because I am so used to sewing everything right sides together. In fact, this was one of the few projects that I actually planned out before I cut and sewed. I did sew the facings on in the standard fashion, but I used red thread to top stitch all around.

When cutting, I had to make sure the colors would be opposite when the parts were sewn together. I drew out the jacket on a piece of paper and then numbered the pattern before I cut out each piece. That will save me time in the future when I want to make another version of this piece.

This is a closeup of the sleeve cuff. After folding it up, I added this heart applique to keep it up and I really am proud of myself... I didn't fold over the patch, I just sewed it on as is. As it frays it will be more "interesting".

Even my husband was surprised to see all of these unfinished edges. With threads already coming loose, he said, "Did you mean to do it like that?"

Mission Accomplished!